Marc's Review
THE EAGLES – EARLS COURT,
LONDON. June 9th
And so to
England, where the audience can be reserved and (dare I say unlike US
concerts) will only get really excited if there’s something to
applaud. My first impression was my fellow paying guests were going to
take a while to warm up. I was in the fourth row, so may have missed the
atmosphere behind me but had the advantage of being able to see all the
facial expressions of the band and small comments between them.
Starting with
‘Seven Bridges’ (which is brave, as it is fairly unheard of here)
the harmonies were spot on. The guys dressed pretty much as described by
previous reviewers, all in blacks and greys. The set list order was a
slight variation on previous starts and, as noted before was a little
too quiet for the first 6 or so songs.
After a great
‘Pretty Maids’ from Joe, Glenn stepped forward to describe how the
first 2 albums were recorded here in London and a “tip of the hat”
to Glynn Johns (the producer of those 2 LPs) who was in the audience
somewhere.
Also in the
audience was Paul Carrack, “One of our best white, soul & blues
singers who wrote the next song” – Timothy steps forward for ‘Love
Will Keep Us Alive’.
Don Henley was
the master of chic cool throughout. On ‘Boys of Summer’ he strafes
the guitar strings as a rhythm instrument… as Steuart Smith takes the
lead. In my opinion they should move this song to a later slot, as the
sound mix (particularly of the 2 lead guitarists) is much improved in
the second half and at 7th song in, the quality is muffled.
It does at least get the crowd going for once and followed by the
classics of ‘Take it to the limit’ and ‘Best of my love’ starts
to really set the evening alive as the sound improves.
Steuart Smith
plays great session versions of Don Felder’s parts throughout – all
perfect but no personality – but really comes to life in first half
closer ‘One of these Nights’. He seems to suddenly think he can be
his own man and let’s rip with a cracking solo.
Second half and
Hotel California gets the first mass standing ovation and roars of
approval. The final solos are superb.
I’m surprised
by the quality of Joe’s ‘Walk Away’… it sits in the Eagles set
perfectly. However for ‘average Eagles fans’ the set is probably a
little solo-work heavy… ‘Sunset Grill’ for me is too
Henley and ‘You belong to the City’ is easily the worst song of the
night. Don’t get me wrong, I love the song itself, but it doesn’t
work in the set and Glenn struggles to find a pitch, with half the song
in quiet Falsetto. Drop it now guys.
During the
‘Sunset Grill’ guitar solos, which Joe and Steuart were sharing…I
spotted Don - facing Glenn centre stage, with a huge “Look, I’m a
guitar hero” grin on his face. Was Glenn smiling or laughing at him ?
Dirty Laundry was
moved up the set a little and was an absolute stormer. My favourite of
the night and how well this sits as an Eagles song too.
By now the
audience realise that Joe’s a complete fruitcake and his humour shows
through on ‘Life’s been good’ with little twists like “I’ve
got a mansion, Glenn tells
me it’s nice”! and “Even
Don says, ‘Maybe I’ll call’”!
Great finale’s
and I was pleased that the whole band do play on Desperado.
All in all a
great night. Not sure the set list works – it’s all a bit up &
down, fast then slow. Whereas the Hell tour seemed to build and build.
But then again, after 30 years we’re still seeing the Eagles and this
time it seemed real. A great band performance… and that bodes well for September!
Marc Bird
James'
Review
The
show started with an unusual subtlety with Seven Bridges Road, several
well polished acoustic numbers followed.
Henley sung a pristine Wasted Time, Joe Walsh sung the cleanest
versions of Pretty Maids and Glen Frey reproduced Take it to the Limit
in a refreshing manor and style one could not have imagined possible
after Meisner.
The
second half began with an interestingly different intro to Hotel
California, but I feel the guitar duo was undermined by Felders absence.
It was like the first anniversary of a lost loved one, something
was missing, and it was very poignant.
Joe
did a blinding Walk Away, if ever I could wish to hear a replay of an
old song performed live that would be the one, closely followed by Funk
49.
Towards
the end of the show I felt one or two numbers were over performed with
the addition of the brass section, I would have preferred to hear
Life’s Been Good among others as raw Rock songs.
Joe
could not of captivated the audience more with Rocky Mountain Way, what
a showman.
The
final part of the show was a great climax leading into the legendary
finish with Desperado.
The
entire band gave an A1 performance, they can all still sing
fantastically note perfect which could be seen by the audience by their
intense facial expression to take it seriously and professionally, to
deliver what they; let alone the audience expect.
The
show was in all a fantastic experience, I have been an Eagles fan since
the age of 12 (1978), I never thought I would get to see the band
perform together again. After Wembley this Tour is an added bonus. I look forward to a new studio album.
The
Show was fantastic, my wife Nicola said there was not one song she did
not recognise including all the solo numbers.
The only negative point was that the audience lacked emotion.
I have been to concerts with a more responsive crowd, were some
of them asleep, if so what a dam fine show they missed.
James
Doran – Egham – Surrey – London – UK
Tom's
Review
THE EAGLES HAVE LANDED
Nearly missed this gig due to domestic crisis (as I did
with the Travis London gig last week)). But I made it. My mate Andy and
our wives Chris and Cathy took pride of place dead centre front
row and said "ok over the hill millionaires
ENTERTAIN
ME".
And did they ? well a resounding yes. I wont give you the
set list as doubtless that will be available elsewhere.
I would rather just give my PERSONAL
impressions.
Mr.. Stueart was awesome and any fears on that score were soon
calmed. the boys themselves were on fine form
,their jovial manner complimented the low key
stage
and subtle lightning.
I was pleased that Hotel California was restored to mid
set as I felt it would be wasted/lost at the start,
7 bridges rd I believe is a fine opener the
sort
of song that reminds us of their roots.
On the whole the choice of songs was fine, there is always
gonna be some you'll miss when a band has such a
fine back catalogue. I also
felt the balance of
solo songs was ok.
And considering they played for about 2 and half hours
I've
got little complaints.
Highlights for me are too many to mention, but I'll try
anyway - Desperado, Hotel California and
I Cant Tell You Why, the latter is in my opinion a
blue eyed soul classic.
I also loved the way the boys interacted and played in huddles
now and again reminded me somewhat
of little feat.
it was also nice the way Joe picked out the little girl
next to me and made sure she got one
of his picks
as souvenir (gawd i was jealous)
I hope it came across just as well right at the back. a great show in
all only two others in recent months pipped it Paul Simon at Hammersmith
Apollo and the great legendary Teenage Fanclub at the
Underworld
Camden.
tom o'grady
Neil's Review
They entered the arena to rapturous applause & launched
straight into a 30 second harmony, which sent, shivers down my
spine – Powerful voices & supremely in tune
Long run, new kid in town, went down well (although
the sound set wasn’t particularly good @ this point & Timothy was
gesturing to the technicians to up something)
Wasted time blew the audience away
Peaceful easy feeling (still having problems with sound)
sounded like it had been over mixed in a karaoke machine
Pretty maids was excellent Joe was starting to
enjoy himself
Love will keep us alive Tims voice was smooth &
rapturously applauded by everyone. He thanked the audience & looks
tooooooo bloody good @ 53 years old
Boys of Summer My Favorite so im biased Awesome
& there was a buzz throughout the arena
Take it to the limit
Dons & the boys harmonies were
“ deep & crisp & even “ brilliant
Best of my love As above
Already gone
is still ringing in my mind
In the city great lighting for this darting
all over the set, added something to this strong song
One of these nights finished the first set &
everyone seemed to leave the arena on an absolute high
Just enough time for a quick beer & the Eagles “landed
once more”
Hotel California
what can I say “all time
classic” audience went wild (not as good a version as HFO) lacked the
intro but couldn’t believe people were still
returning to their seats half way through this classic.
Disgraceful.
Lyin
eyes
Guy sitting next to me sang this word for word in my
ear & should join the band,
I thought Don
had crept down & sat next to me. What I heard of it was good
I cant tell you why Tim's voice reigned supreme once
more & in my mind he should have also been given a solo slot to do
“Shadow” or anything else from his excellent
“feed the fire Cd”
Walk away & tequila sunrise
were very good & people really wanted to stand & participate but
not allowed to by security
Sunset grill one of my many favorites of Dons
& my only disappointment was that with the boys joining the chorus I
couldn’t hear Dons crooning so well, but hey im not complaining.
Brilliant!
You Belong to the city was excellent with Glenn
aggressively attacking every lyric, my personal favorite of his solo
songs
Funk 49 was totally awesome with every member really playing
their hearts out. The crowd’s reaction said it all
Dirty laundry
put don back in the spotlight once
more & did he enjoy it, id say so, “kick em when there up kick em
when there down” he just gestured to every line of the chorus &
inter-acted with the audience.
Heartache tonight
the point of no return the people
spoke, up on their feet for the first time “sod the security” lets
dance & “did they”
Life’s been good
Joe was joking with the audience
about his masserati “had he got one” he couldn’t remember ??????
Fever pitch sums this one up & in my opinion received the best
response form the audience. Surprised but deserved
Life in the fast lane
Closing song & oh boy
did they belt it out, they then had the audacity to say thank you &
goodnight
Not getting away that easily, the crowd stomped &
screamed for their return
Rocky mountain high
Confession time id never heard this
song before & cannot for the life of me understand why.
Outstanding & brought the house down. Joe on his voice box
etc was on another planet & so was I (I think)
All she wants to do is dance
another
don classic & another standing ovation
Off they went again
Only to return a minute later
Take it easy brought the audience out of their
seats to fill the front of the stadium in preparation for the
penultimate
Desperado
don up front & extremely
personal in the spotlight & enjoying every lyric to the full
I missed my train home to see this & would not change it
for the world
The best concert I have ever had the privilege to attend
& I hope it is not the last
Now Looking forward to the new cd & reflecting back on
what can only be described as 3 hours of pure bliss
Foot note: - must say the roadies were superb, nearly every
song was preceded by instrumental changes which were carried out too the
book
Set was simple, lighting fantastic & sound after initial
problems crystal clear
Stuart smith did a superb job!
The Harmony, which opened the concert, will haunt me for the
rest of my life
Only wish I knew what it was if indeed it had a title.
Long may they remain together & in harmony!
Kop Kid's Review
Only had the opportunity (or should I
say finances!) to attend one Eagles concert this time round and I can't
help but think it may have been the worst of the 4 nights at London's
Earls Court Arena.
This was in no way any fault of the
band. The boys played an awesome set from start to finish, but the sound
was the worst that I have witnessed at a concert for a long while. Not
only was the sound too tinny as the bass could barely be heard, but the
sound as a whole seemed a total blur. The horns, keyboards, percussion
just seemed to be lost in what I can only describe as noisy haze.
Timothy would might as well of left his bass backstage as it was almost
non-existant! We saw the band twice at Wembley Stadium, London back in
1996 where the sound was pitch perfect and outdoor gigs are supposed to
be more difficult to perfect the sound.
My girlfriend and I attend approx 10
concerts a year and we've never heard anything quite as bad as this for
a long time. I thought that a huge band like the Eagles would get it
right. Perhaps they should shoot the Soundman?!! I'm sure that this must
have been a one-off as we all know how much of a perfectionist Monsieur
Henley is (see Hell Freezes Over video!!!!) because if every night is
like this he's be bald by now by tearing his hair out!!
Don't get me wrong, as I said earlier
the band played great, the set they chose couldn't of been better (well,
they could have played The Heat Is On!!!), and this has no way put me
off going to another Eagles show.........just spend more time on the
soundcheck tonight guys!!!
Paul's Review
I thought I would drop you an e-mail as I saw the Eagles play at
Earls Court on 12 June 2001. I have been a big fan for the last seven
years - ever since Hell Freezes Over. I couldn't
believe the price of the tickets £45, £50 or £55. As this was
the first time for me to see the band I thought that this is one of
those once in a lifetime gigs I would see.
I have never been to Earls Court to see a band before. Wow, what a
venue. Two great TV screens at side of stage. I
arrived at the right time - the eagles were just
about to take to the stage. The atmosphere was tremendous (at
times a bit over bearing as the screams and shrills drowned out the
band).
What can I say about the band, well, the Eagles were superb. To be
honest I went to the gig on the off chance that
they might do "Already Gone" - they did.
The new recruit on guitar did a wonderful job - by no
means a flash player -more a textured player which suits the bands
style. I thought the stand out solo performance
came from Joe Walsh, Walk Away and Life's Been Good were
outstanding.
I only felt let down about two things - the band played more solo
stuff than Eagles stuff (probably the only way the
band would stay together - oddly enough every one
played solo material except Timothy B Schmit) and the front
of house sound. Every gig I go to, I am probably picky about the sound.
The biggest let down for me at any venue is the bass - it always gets
lost. It did at Earls Court. Everything else through, the drums, guitars,
keys (Glenn Frey's piano a bit too low), the vocals, but not the bass.
It was disappointing because this makes so much difference to any
bands sound - it's they key to a band being solid in
performance.
All in all a good show, bit pricey, would like to see them play again
in a
smaller venue - something like a thousand
seater with good acoustics.
Classic Rock Review
Takin' It Easy
The Eagles
Earl's Court, London
June 12, 2001
Dave Ling, Class Rock, August
How Much? Tickets at 60UK, 46.50UK, 36.50UK - plus booking fee?! Twenty quid for
a baseball cap?! Well, it certainly looks like the quartet or remaining Eagles
are adding an extra cushioning layer to their retirement nest egg with these
tour London shows. Maybe the few empty spaces taught them a little humility,
though one doubts it.
But you get what you pay for with pros the The Eagles, and the music on display
was never less than superb. For two and a half hours, guitarists Glenn Frey and
Joe Walsh, drummer Don Henley and super-cool bassist Timothy B. Schmit - plus
extensive backing cast - trotted out Eagles hits and solo gems with an ease that
often bordered upon the casual. Indeed, it wasn't until the second of two sets,
ushered in by the timeless 'Hotel California', that anybody really seem to break
sweat.
Frey was his acidic self, dryly introducing 'Lyin' Eyes' by saying: "This is
about my ex-wife. She's called Plaintiff." When not being propped up by backing
six-stringer Steuart Smith, Walsh showed touches of his old magic. Henley, who
seemed to spend less time playing drums than last time, in '96, used all the
experience of his many years to wring every last sob from the audience -
especially during 'Wasted Time'. and the show-stopping 'Desperado'. And Schmit,
who sand like an angel on "I Can't Tell You Why' and "Love Will Keep Us Alive',
reminded us that he was there to do more than merely make up the numbers.
'Rocky Mountain Way', 'New Kid in Town', 'Best of My Love' and others are all
regarded as universal standards, even if you live in a trailer park in Idaho. So
it's a vain hope that material for a new album that's being written during this
tour will live up to those immaculate standards. But when you're legendary, you
have to live with these things.
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