Hans' Review
They kicked of at 8.15 with Seven
Bridges Road, and they followed the Manchester setlist. But they played
between Walk Away and Tequila Sunrise a small peace of Glenn's Strange
Weather album: Silent Spring (am i the only one who noticed that?? or is
it the first time they are doing that??). So we all thought: Long hot
Summer, but no!
The sound was very good from the
beginning, the second set a bit loud. The show was very effective and
did not distract from the music, but they don't need that anyway.
Between songs they needed some time to change the instruments with
almost no lights and no talking to us. This is a pity, because you lose
a bit of contact with the audience.
Well, we can read everywhere that they
are great and they are, especially the harmonies, wonderful bringing
goosebumps from time to time. But the setlist could be better. Sometimes
i thought i was watching the Don Henley Band or the Joe Walsh Band,
nothing wrong with that (don't get me wrong), but it could be more
balanced. The voice of Timothy is so damn wonderful, as is his hair
(according to my wife); give him one more song. The same goes for Glenn
Frey (Long Hot Summer!!). I am a bit critical, but at my age (40) and
250 concerts later, it is no wonder.
But, it is sure worth your money and
when you have the opportunity, go see them, they do
give you a magical evening. And don't forget all the people out there,
who are putting the show together, night after night!!
From Holland: Hans, Paula, Marlies and
Erwin.
Lex's Review
A few thoughts about the two concerts
in Rotterdam Friday and Saturday, finally after being a fan since 1994
and missing them in 1996, I was able to see the band perform live. The
Rotterdam Ahoy complex was packed with almost seventeen thousand fans
who were already in a great mood before the concert started, (we all
started doing a wave which lasted until show time). Everybody completely
freaked out when they took the stage and performed Seven bridges road.
The rest of the set list was the same as most other dates so I wont post
it again. From the beginning on I was very interested to see how Steuert
fitted in with the rest of the band, although Felder is better with the
country part of the set he was simply amazing with most of the electric
stuff. I thought it was a good thing that he did not exactly copied all
the solo completely, the revised version of the Boys Of Summer solo was
in my opinion just great! Glenn was in a great mood and cracked jokes
for most of the evening, a few quotes;
“Damn it hot on stage, I am sweating like Eminem at a gay festival” or
“I am sweating like a lawyer who is trying to tell the truth” or just
before the intermission “Were gonna take a short break to slip into a
dry Martini, sorry dry clothes I mean”.
Henley was smiling all evening and jumped around with Joe on Dirty
Laundry, Joe off course was running and jumping all evening and
performed every solo and song perfectly. The only thing I did miss was
Glenn playing guitar on You Belong to the City. I really do not think
that he should be behind the Fender Rhodes while they do this song.
Everybody sang along the whole evening but especially during the three
encores, with Hotel California getting a standing ovation while Glenn
was in the spotlight during the intro. The boys seemed to enjoyed it a
lot and left the stage smiling at about 23.15.
The next evening was even better, Glenn started by telling the crowed
that The Netherlands was “a home away from home for the eagles” and that
they always enjoyed coming here. The set list was exactly the same but
the did extend some of the solos!! They really enjoyed themselves that
night and it showed, there was a lot of talking between the songs from
every member of the band. A few examples;
Joe to Tim after I cant tell you why; “Hey Tim, if I asked you, could
you really not tell my why? Don’t worry, I cant either”. And Glenn; “I
am sweating like a hooker in church”.
Joe went completely nuts during Life’s been good, he added completely
new guitar riffs and just was running all over the place. The crowd
enjoyed it enormously although I did not expect for so many people to
know the word to the song, but almost everybody chanted along.
Henley was enjoying himself so much that he actually had to stop singing
during Life in The Fast Lane because Joe was acting like, well….. Joe.
Meanwhile Glenn was jumping up and down the guitar amplifiers as he
later also did during Rocky Mountain Way. Before Desperado Don wanted a
spot light and thanked the crowd not only for this evening but for the
past thirty years. He later let us sing a few lines of the song and
everybody joined in and it visibly made them feel good. He also said
that the Eagles would be back to Holland many time in the not to distant
future, and with that thought we left for home after two great night of
music from the best live band in the world.
Sandra's Review
I don't have much to add to the review
from Lex except for the fact that Don Henley thanked the Dutch
audience friday night for the support over the last thirty years and
he memorized the fact that The Eagles received their first award here,
the Edison-award in 1973 for the Desperado album. He also mentioned
that Holland was the first country outside the US where The Eagles
were successfull. He said that they will always be grateful for that.
As for the shows, I was excited to see
them play "Walk Away" and a very little bit disappointed that there
were no songs from "Feed the fire" or "Inside job".
I don't know if I'm the only one but when
they played "Wasted time" I had goose pimples , what was a bit weird
if you know that temperatures were over 40 degrees Celsius! And am I
the only one who noticed that Don Henley got a bit emotional when he
sang "Desperado"?
Since I was lucky enough to be in the
front row (both nights) of a boiling hot venue I was able to take a
few pictures of the show. And yes, I did have eye-contact with both
Glenn and Timothy!!!!
De Gelderlander
Grote hoogten en hemelse samenzang
Door LOUIS DU MOULIN
Alle begrijpelijke aandacht voor de enorme geldzucht van de heren
heeft ertoe geleid dat hun muzikale prestaties wel eens worden
vergeten. Maar eerlijk is eerlijk, The Eagles zijn nog altijd veel
meer dan een heel leuk bandje en dus de gepeperde toegangsprijzen wel
degelijk waard.
Met hun vernieuwende vrijbuitersgedachten uit de jaren zeventig heeft
een nestbezoek tegenwoordig helemaal niets meer te maken, maar ze
nemen je wel mee naar hoogten die voor anderen nooit haalbaar zullen
zijn. Ook Ahoy' was vrijdagavond weer even dat exclusieve Hotel
California waar zo'n 10.000 'prisoners' denkbeeldig aan de 'champagne
on ice' nipten en na een kleine drie uur met de grootst mogelijke
tegenzin het pand moesten verlaten.
Voorspelbaar en gelikt zijn de twee sleutelwoorden die blijven gelden
voor de doorgestarte Amerikaanse countryrockformatie. Maar anders dan
bijvoorbeeld vijf jaar geleden in de Kuip spat er thans van deze ook
om z'n interne botsingen beruchte muziekclub beduidend meer
spelvreugde van het podium af.
Dankzij twee videoschermen en flitsend camerawerk valt voor iedereen
heel goed waar te nemen hoe de vier Adelaars op elkaar inspelen en dat
is op dit moment met doorlopende lol. Het zijn dan misschien ook wel
de close ups van de fameuze kopstukken die het avondje terug in de
tijd, waar 'The Eagles in concert' toch op neerkomt, zijn meerwaarde
geven.
Ter indicatie: het vriendelijk lachen van de beide kapiteins Don
Henley en Glenn Frey naar elkaar tijdens Tequila sunrise, dat is
natuurlijk voor elke fan gewoon extra smullen, vanwege alle sappige
verhalen over hun eeuwige machtsstrijd die best wel tot de bijzondere
status van The Eagles hebben bijgedragen.
Muzikaal komt het genot vooral van de hoogwaardige kwaliteit van de
uitvoeringen van het overbekende werk, waarvoor op deze World Tour
2001 allereerst maar liefst acht gastmuzikanten zijn ingehuurd. Van
hen verdient gitarist Stewart Schmit beslist een aparte vermelding,
omdat hij de afvallige Don Felder volkomen doet vergeten. Belangrijker
is echter nog de fantastische wisselwerking tussen de vier vijftigers,
zowel in hun gitaarspel (nooit een brij) als in hun heldere, zo niet
hemelse samenzang. Alleen de meest op de voorgrond tredende Glenn Frey
had aanvankelijk moeite om zijn stembanden los te gooien, waardoor New
kid in town slecht uit de verf kwam. Bovendien waren zijn verbindende
teksten, ondanks sneren naar onder anderen Eminem en Snoop Doggy Dogg,
te glad om echt tot de verbeelding te spreken. Joe Walsh, op wie de
tand des tijds zichtbaar de meeste invloed heeft gehad, zorgde af en
toe voor de clowneske noot, met name gedurende zijn solohit Life's
been good.
Echt een dolle boel werd het evenwel nooit, omdat de 'vakmanschap is
meesterschap'-gedachte bij The Eagles overheerst. Tegenover het
incasseren van een toprecette (want gemiddelde prijs toegangskaartje
een slordige 200 piek) stond het volle pond aan goud van oud, tijdens
de toetjes nog even gecompleteerd met Hotel California, Take it easy
en Desperado.
The Eagles in het kader van World Tour 2001 in Ahoy. Met Glenn Frey (zang,
gitaar), Don Henley (zang, drums), Joe Walsh (gitaar, zang),Timothy B.
Schmit (gitaar, zang) plus achtkoppige begeleidingsband.
Gezien: vrijdagavond. Herhaling: zaterdagavond.
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