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The Eagles land in the Delta Center on
Thursday
By
Scott Iwasaki
Deseret News music editor
Drummer/singer Don Henley says his band the
Eagles just wanted to make an album or two and
play in venues other than bars back in the
early '70s.
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Vocalist/guitarist Joe Walsh, left,
vocalist/guitarist Glenn Frey,
vocalist/drummer Don Henley and
vocalist/bassist Timothy B. Schmit are
headed to the Delta Center.

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"I'm not sure we had
any clear status goals other than that,"
Henley said by telephone during a break
between band rehearsals at their regular
hangout, a studio in Los Angeles, Calif. "We
did want to become good songwriters, and we
rehearsed a lot." The Eagles — Henley,
guitarist/vocalist Glenn Frey,
bassist/vocalist Timothy B. Schmit and
guitarist/vocalist Joe Walsh — will make a
return trip to Salt Lake City's Delta Center
on Thursday, June 6. The music will begin at 8
p.m. Tickets are available through all
Ticketmaster outlets or by calling
801-325-SEAT. Tickets can also be purchased
online at
www.ticketmaster.com.
The last time the Eagles were in town
was Jan. 14, 1995, during the group's reunion
tour, which was dubbed "Hell Freezes Over." At
that time, the band included guitarist Don
Felder, and the music took appreciative Salt
Lake audiences on a trip through the past with
such songs as "Take It Easy" and "Hotel
California." But it also offered a glimpse
into the future, with then-new songs "Love
Will Keep Us Alive" and "Get Over It."
This time around, there have been some
changes, said Henley. First off, Felder isn't
with the band. "We can't talk too much about
that because we're in the midst of a legal
battle," Henley said of a lawsuit that alleges
Henley and Frey fired Felder unfairly.
"But I can say this — this isn't the
first time we've made personnel changes in the
band. And every time we have, the band has
emerged happier and better." (A hearing for
Felder's suit is scheduled later this summer.)
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Don Henley
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When the band first
emerged in Los Angeles in 1971, it already had
some experience under its belt. Frey and
Henley were in Linda Ronstadt's backup band
when they decided to team up with Poco bassist
Randy Meisner and Flying Burrito Brother
Bernie Leadon.
That lineup remained in tact until
Felder joined the flock in 1975. That same
year, Leadon left and was replaced by James
Gang rowdy Joe Walsh. After the release of the
"Hotel California" album in 1976, Meisner, who
toured with the band the next year, left
because he wasn't happy with the
more-rock-than-country direction the band had
taken. Meisner's departure opened a slot for
another Poco bassist, Schmit, to join the
Eagles nest.
In 1979, "The Long Run" album yielded
the title hit and "Heartache Tonight," along
with Schmit's mellow "I Can't Tell You Why."
Meanwhile, the group's 1976 compilation
"The Eagles: Their Greatest Hits 1971-1975"
began its run as one of the best-selling
albums in history, which, to date, has sold
more than 27 million copies.
Three years after the release of 1980's
"Eagles Live," the band officially called it
quits.
"It's always an issue keeping a group
together," said Henley, who cited as his major
musical influences big-band jazz-drummer Gene
Krupa and the CBS show "Louisiana Hayride," on
which Elvis Presley made his broadcast debut
in 1955. "I started playing music as a
trombonist in my high school band," Henley
said with a laugh. "But the drums sabotaged
that avenue."
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The Eagles circa 1979: Glenn Frey, left,
Don Felder, Don Henley, Joe Walsh and
Timothy B. Schmit. The band first emerged
in L.A. in 1971.

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In 1994, after
overwhelming requests, the "Long Run" lineup
of the Eagles regrouped and went on tour. It
was one of the top-grossing tours of 1995.
"The success of the tour surprised us," said
Henley, who is a longtime nature
conservationist and political activist,
constantly fighting for musician and artist
rights. "We did have an idea that we'd have
some amount of success because of how much the
'Greatest Hits' album sold, but it still
surprised us."
On this tour, which, incidentally, marks
the Eagles' 30th anniversary, the band is
taking a break from recording a new album to
go on tour. And Henley is still surprised at
how well it's selling. The tour begins tonight
in Reno, Nev.; Salt Lake City is the fifth
stop.
"I think I'm going to enjoy this tour
more," Henley said. "It's always good to get
out of a windowless studio for a break. And
the tour seemed like the logical thing.
"We will not, however, be performing new
songs on this tour, because they'd be
bootlegged and available online in no time."
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Jeff and Jill
Let me start by saying I am
embarrassed to be from Utah!! I am so glad I
drove to Reno and enjoyed a full show
filled with energy from the crowd. I could not
believe how quiet and passive the crowd was here
in Salt Lake City. To those fans who were on
their feet and cheering loudly throughout the
entire show, right on! Let’s start from the
beginning…
“Seven Bridges Road” failed to get
people on their feet. I think there were seven of
us standing and yelling – the seven of us that
were holding beers. They only played half the
song – just like in Denver. Everybody just sat
there and applauded politely. I was appalled. It
was even worse that everybody behind me (Row 12 –
Floor) was sitting for the following three or four
songs and I had to sit there too, out of respect
for them so they could see the show. Many seats
in front of us were empty until 8:30 – 8:45 – a
good half hour into the show. The Eagles didn’t
realize that the majority of the people here are
chronically late – to everything. The first
quarter of the show had everyone in the Delta
Center sitting, including the very front row. The
acoustics were not that great from where I was
standing. The Delta Center is notorious for bad
acoustics and when I heard the Eagles were playing
at this venue, I knew that the sound wouldn’t be
up to par. That is one of many reasons Jill and I
quickly agreed to drive to Reno. I have avoided
many concerts at the Delta Center for years.
There were some bad echoes of Glenn
Frey in the beginning sets that bounced right back
at him and it was hard at times to sing along.
“Wasted Time” and “Pretty Maids” got people on
their feet – finally, but Joe’s guitar wasn’t
working and he was blatantly pre-occupied between
verses with the technician trying to fix the
problem. “Peaceful Easy Feeling” put everybody
back on their butts. “Best of my Love” and the
“All She wants to do is Dance” encore were
completely cut out of the show. The crowd finally
began to get loud in the last few numbers of the
first half.
The second half started great with
good crowd response but as soon as Al Garth on the
saxophone began to play “You Belong to the City”
the crowd sat down in a complete silence. And to
make that situation worse, a bad buzzing feedback
was heard in the intro for about 3 seconds that
made all on stage look at each other with a “what
in the hell was that” look. Later, when Glenn
introduced the band – we weren’t sure if Stuert
got boo’ed or not because Jill and I were over
compensating our cheering in an effort to
overshadow those who might be booing.
We are thinking that the chain of
events lead to a lack of interest from Joe Walsh.
I can’t say he stole the show like it has been
said to this point on the tour. In fact – no one
stole the show as an individual in my opinion. He
pulled a few of his fun faces and some lyrical
improv but it seemed like he did it because he was
expected to. The energy that he has had
previously was missing.
The band itself was nothing short
of fantastic as usual and we did enjoy the show.
We got more smiles from Don Henley than I remember
in previous shows, which I think is ironic. Glenn
Frey and Timothy B. Schmit were there usual
selves. I enjoy watching Timothy B. Schmit and
how he makes eye contact with people in the
crowd. The boys in the backup band did great.
The good stuff was pretty much a carbon copy of
other good shows. The show ended at 11:00, which
is earlier than other shows due to the cut songs.
As you read this, please realize that I am more
critical at this point than usual because I have
seen multiple shows now, including Denver’s
Invesco Field show last August. The locals around
here that I talked to seemed to have enjoyed the
show and I have heard nothing but warm responses
other than the many complaints that they didn’t do
“Best of My Love”. I hope that the crowd is
better to them in the upcoming shows. They
deserve it. If they decide not to come back to
Utah, I wouldn’t blame them at all.
Del's Review
Was fortunate enough to be in the 1st row at the
Delta Center in Salt Lake City. From the first
line from Seven Bridges Road to the last line of
Desperado, the Eagles proved that they have
traversed time without a problem. From the second
song, The Long Run, they had the people of Utah on
their feet, dancing and singing 30 of their hits.
They were backed by a stellar 6 piece horn
section, a organist, and a drummer who shared
duties and dual played with Don Henley. Also they
have a new lead guitar player...sorry forgot his
name, but he more than holds his own. The vocals
were typical Eagles and the harmonies were as they
were back in the 70,s. Glenn Frey, Don Henley, and
Joe Walsh each did a few of their songs that they
recorded on solo adventures. Boys of Summer,
Already Gone and In the city were the stronger
songs of the 1st half of the show.
After a 25 minute intermission, Joe Walsh became
the crowd favorite and rocked the house with Lifes
Been Good ,Walk Away, Funk#49 and had Utah dancing
in the aisles with Rocky Mountain Way. The second
half featured Lyin Eyes, Sunset Grill, and a
killer rendition of Dirty Laundry. The latter part
of the show were the standard hits...Life in the
Fast Lane, Hotel California, Take It Easy and
sadly ended with Desperado...the 3rd encore. Prior
to moving to Utah I lived in San Francisco and
have seen just about everyone there is to see, but
this concert will stick out as one of the best
ever. It was very professional...and it was a trip
to see kids in their late teens and early 20,s not
just singing the songs, but knowing all the
words....a whole new generation of Eagle fans. If
they are headed your way folks...buy a ticket and
go and enjoy a 1 of a kind band...The Eagles.
Jenny's Review
First of all, let me
say that I loved the concert and I am truly bummed
out that there aren’t any dates closer to Wyoming
so we could hit a second show. I wanted to start
out with that statement so you will know that I am
NOT giving the concert a bad review--I’m just
trying to point out a few things.
Two songs were cut from the opening night set. We
missed out on “Best of My Love” and “All She Wants
To Do is Dance”--which leads me to my first
observation. As these are both songs with Don
Henley on lead vocals, I was under the impression
that maybe he wasn’t feeling well. He stayed
behind the drums more than I had seen him do in
Denver last year or in Las Vegas in 1999. Both he
and Glenn Frey seemed to be having trouble hitting
some of the higher notes. Interestingly, my
brother was disappointed in this show versus the
one last year at Invesco--where the sound was
atrocious in the upper decks and the sound techs
tried to change this by turning up the sound. When
we started discussing it, he was disappointed
because he wanted to see more of the Don Henley
show and less of the Joe Walsh show. Thus, we all
agreed that Don seemed to want to be out of the
spotlight more on this show than the last one we
saw.
While Don Felder was still missed for his awesome
guitar playing by my husband and myself, we did
think that Steuart Smith did a better job this
year than he did last year. I’m not trying to
knock him or his talent at all. But last year he
didn’t hit the notes in quite the right ways to
make the guitar sing. He did come closer this year
but he still isn’t Don Felder. But I guess we will
just have to “Get Over It”! Maybe if he continues
with the Eagles, he will continue to improve and
become more a part of the band (which I think he
has also seemed to do more this year than last.).
From where we were sitting (to the side where
Timothy B. Schmit calls home), it did seem that
Joe made the show the most entertaining. Not that
the others were falling down on the job. It just
seemed like Joe was more into it and had the most
energy, bouncing around the stage. But I have to
say, I am pretty darn impressed that these guys
are going out and doing about 4 shows a week at
their age. After attending one concert, I was so
wiped out that I needed a day to recuperate! So I
am very impressed with their abilities to keep
touring at this point in the game!
Timothy B. did an excellent job and I feel like
his voice was the most true of the four band
members. Age doesn’t seem to be affecting his
voice at all. I’m hoping that a few more songs
feature him on lead vocals on the new album.
We did notice a few problems with the sound
system. Joe was having problems with his amp. One
time, during a guitar solo, we couldn’t even hear
his guitar at all. We also missed out on the
opening lyrics to one of Don Henley’s lead vocal
songs. The sound system also squealed a few times.
Those problems were mostly minor but a little
disappointing.
One of my favorite parts was when Don Henley was
singing “The Long Run” and when he sang about the
debutantes in Houston couldn’t hold a candle to
you, he sang it to Joe, who mouthed, “Who, me?”
That was kind of cute. Also kind of fun was when
the 4 guys in the brass section were doing a
little dance while they weren’t playing.
One observation I had about the people attending
the concert was that a lot of them seemed to be
there only to hear “Hotel California”. As soon as
that song was sung in the encore, a large number
of people got up and left. I thought to myself
that it ain’t over until the fat lady sings--or
until the Eagles sing “Desperado” so where in the
heck were they all going? I just can’t see paying
that kind of money for a band you only feel
lukewarm about or going only to hear one of their
songs. That seems pretty ridiculous! But, hey,
maybe these people have a lot more money than I
have!
All in all, we enjoyed it and we hope to be able
to catch them next year at Red Rocks in Denver
(because we know they won’t be going back to
Invesco!) We’re also hoping that a new album comes
out before that time for us to learn the lyrics so
Don Henley won’t have to be disappointed in us if
we can’t sing along. (Sorry, just another little
beef of mine--I wish Don appreciated his diehard
fans a little bit more, especially Lisa and
Melissa!)
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