|
Richmond
Reviews |
|
H Miller: Fan Review |
|
The show was
incredible!!! When Don Henley sang Wasted Time it
gave me chills. Joe Walsh was so on and looked like
he was having the time of his life.
I wrote the reviewer
from the Richmond Times Dispatch asking her if she
had been to the same concert I was at. She
obviously has no appreciation for her job or music
that spans several generations. She put down the
band for going from fast to slow but I felt that
they took us all on an incredible emotional
rollercoaster by changing up on tempo. I had
thousands of memories flooding my senses throughout
the entire concert.
The Eagles have proven
themselves to be the best of their genre and have
crossed many generations. My 18 year old nephew was
in awe of the talent displayed and also his Mother's
and Aunt's wild hooting and hollering for the
band!!!! It's a good thing that I can write this
because I certaining can't sopeak about it because I
have completely lost my voice!!!
This is a don't miss
show.!!!!
|
|
Zermie: Richmond Review |
|
I agree
that this tour is more polished more rehearsed and a
lot smoother running that the last few tours. You will
have to look closely to notice the nuances between
last year's tour and this one. I guess the biggest
visual addition is the back of stage projection
screens. Beginning with BOS, those screens depict the
theme of the song, beach and ocean scenes for BOS, a
curvy highway for James Dean, fuzzy media images for
Dirty Laundry. Also, the construction hat Walsh cam is
a neat trick, he first dons it for Life's Been Good
about 2/3rds of the way through the show, and then
uses it in bits and pieces the rest of the way. As far
as the media review of the show is concerned, I think
that writer is used to reviewing bands like Green Day
and thinks unless the lead singer throws himself into
the mosh pit and bangs his head on the stage until he
loses consciousness, then he is acting "bored", I
prefer to think of it as a calm professionalism by a
band intent on giving the audience what it came for.
My clue to see if Glenn is into it is if he sings
along w/ the other guys songs even when he isn't at
the mike, and he was most of the evening. Glenn also
had both of his wrists taped up below the hand, like a
football wide receiver, either he has been playing too
much golf, or his rheumatiz was acting up, it didn't
seem to effect his playing, however, now, to a few
chick matters, we can put a "Y" in the answer box on
the wedding ring issue for both of the colitas
brothers, the clothing attire came from the funeral
director's outlet mall, Tim: black top and jeans, GF:
black sport coat and jeans, DH: black French
disassociated artist dress shirt, JW: black moo-moo
top, Joe, btw, looks like he's got the local Dominoes'
locked into his speed dial, Stuey: black shirt and
pants, borrowed from his twin brother, Lyle Lovett.
One final word about my Virginia homey, SS, all he did
was play the lead jams on most of the songs and did
more backing vocals than I can recall Felder doing,
its amazing to see what he does, from the band
interplay w/ him on stage it seems the main four have
embraced Stuey if not as a member, than as a partner
to what they do onstage.
|
|
Laura: Fan Review |
|
The
Eagles put on a fabulous show last night. It was
phenomenal to be in the presence of such enormous
talent. We were on the left side of the stage, two
rows off the floor, about eight rows back - perfect
seats! I think the only better seats could have been
on the very front row. We met up with several friends
seated in different sections (upper left) who were
happy with their seats too and just glad to be there
to enjoy the show. I didn't notice any of the glitches
with the video display, but we were close enough that
I only glanced up at it now and then. But with that
kind of talent, you don't need any "visual spectacle."
The harmonies were tight and the band seemed to be
having a great time. I heard Joe Walsh on a radio
interview yesterday morning before the show, and he
said, "for two hours, I can be 18 again." Let me just
say, he rocked and rolled and played like he was 18
for all three hours of the show. His antics are so
much fun to watch! Glenn Frey had his share of fun
too, especially during "All She Wants To Do is Dance"
when he jumped up from the piano to dance with the
incredible horns section. At one point in the night,
Glenn walked to the very front left corner of the
stage and a fan must have yelled I love you, because I
could see him say "I love you too" back to her - what
a thrill that must have been! Glenn looked really good
too - better than on the Hell Freezes Over tour.
Timothy B. Schmit was unfailingly superb all night. He
definitely has a stage presence that just locks you to
him. Don Henley was solid all night - it was great to
hear so many of their solo hits - Boys of Summer and
Sunset Grill were awesome.
We didn't review set lists before the show, so every
song was exciting to us. I had an unspoken hope of
hearing Rocky Mountain Way and just couldn't believe
it when they did it - and did it right - Joe's guitar
licks were so hot. The new guitarist - Stuart Smith (a
Virginian)- did an excellent job on every song.
The new song, Hole in the World, was great - the crowd
loved it - it really showed off their vocal skills -
beautiful harmony - can't wait to hear it on the radio
Monday! There wasn't a moment in the night that hinted
at being disappointing - it was a perfect night - no
traffic jam getting in, plenty of space in the parking
garage, we walked right into the building - no lines
at the entrance we went through. The show was
excellent from start to finish.
I've read a couple other reviews this morning, and I
am a huge Springsteen fan (saw him in March - another
incredible show) and I need to set the record straight
- I don't believe Bruce would ever 'scoff' at anything
the Eagles might do for the simple reason that The
Boss respects talent - which seems to be something a
little lacking at a certain Richmond newspaper these
days.
|
|
Sallie: Response to Times-Dispatch Review |
|
I am
writing in regards to the concert last night in
Richmond featuring the Eagles. It was awesome. Simply
awesome. I've been a fan for over 20 years but do not
rave over groups because of their longevity. I go for
the music. For the words. For the feelings they evoke.
I totally disagree with the reviewer from the Richmond
Times Dispatch. Her take on the concert was ho-hum and
what a bother it was to hear all those hits. First, I
would say she has no appreciation for music... the
Eagles have it all. Great musicianship, etc. They HAVE
written so many songs and many did become hits....so,
duh? They put on a great show. It actually was the
first concert I had ever gone to with my daughter and
her husband...they had just as good time as I did. And
looking around the audience, they all did too.
So, when you describe great music...this is the
standard. Maybe she was looking for more lights, a fog
machine, whatever. Nah. Its not their style. They
don't need to resort to show biz.
|
|
Wayne S. Richmond Show Comments |
|
Awesome show! The best I've ever seen
them. From aperformance perspective, I noticed no
indication of rustiness. Very tight harmonies,
obviously well and thoroughly rehearsed. They were
tight and on, both vocally as well as instrumentally,
and they appeared to be genuinely enjoying themselves
and the audience throughout the performance (as
opposed to Hell Freezes Over where they seemed to me
to be somewhat bored and uninterested.) Overall, a
very full and very electric sound throughout. The four
person horn section really wailed on several tunes.
Sound was excellent and well-administered throughout.
I can confirm the set list you've published. Start
time was 8:20. Break from 9:16 to 9:41. Second set
ended at 11:05, first encore finished at 11:15, 2nd
encore finished at 11:30, and 3rd and final encore
finished at 11:40.
A couple of glitches (loss of video) with the large
video display suspended above the stage lighting, but
they were short-lived and were corrected without
delay. I can't estimate the size of the main video
display but it was as wide as the stage and had
approximately a 4:1 aspect ratio. The main video
display was capable of a single frame or three
separate frames. When in three frame mode the center
frame took up half the video display and the two
outside frames one quarter each. Usually the two
outside frames shared the same video feed as one
another. There were also two smaller video displays
pointing left and right for the audience located to
the sides of the stage. Also multiple smaller video
displays at stage level behind the band, but they
usually carried programmed, as opposed to live, video.
Twice Joe Walsh wore a hard hat with an embedded
camera, the video from which was shown on the main
video display. Fascinating to see the audience and the
other band members from the performer's perspective,
although Joe's pretty animated so his head whips
around a lot. And so does his video. A remotely
controlled, floor-mounted crane camera and
multiple hand-held cameras provided the primary
sources for the video displays.
If you don't have tickets yet for your area, get them!
A tremendous show.
|
|
Eagles' hits on
parade
Richmond Times Dispatch
BY MELISSA RUGGIERI |
TIMES-DISPATCH STAFF
WRITER May 10, 2003
If the Eagles didn't possess such a robust catalog of
sun-kissed tunes, there really wouldn't be much reason
for them to tour.
At last night's tour opener, the band didn't go out of
its way to construct any type of visual spectacle, and
with the exception of the ever-loony Joe Walsh, the
core four of Walsh, Don Henley, Glenn Frey and Timothy
B. Schmit, appeared more bored than genuinely thrilled
to be on stage.
After several days spent in lockdown at the Coliseum
rehearsing for the "Farewell I" launch, the Eagles
didn't exude much pent-up excitement to be performing
again - particularly in a city they haven't visited
since 1977.
Not surprisingly, opening night gaffes weren't
apparent to the sold-out crowd of about 12,500. This
is an outfit that has always strived for technical
perfection, and from the opening horn blasts of "The
Long Run," dressed by Walsh's stinging slide guitar,
to a searing "Life in the Fast Lane," the band
achieved it without question.
Though the band breezed through an opening 70-minute
set before taking a 25-minute break - something that
would cause Bruce Springsteen to scoff mightily - its
return lasted nearly two hours.
One of the problems during the initial set - which
improved by round two - was its jagged pacing. The
band stirred fans' mojo with "The Long Run," then
slowed to glacial speed for the trifecta of "New Kid
in Town," "Wasted Time," with Frey on piano, and
"Peaceful Easy Feeling." The last is one of the Eagles
many genre-straddlers that has endeared the group to
fans of country music and rock for more than three
decades.
But taken as a hits parade, the concert made it
obvious just how many of the band's mellow tunes hover
in midtempo purgatory and sound as similar as Don
Henley and Martin Sheen look.
Wisely, the band placed enough well-documented ego
aside to include a healthy heaping of its members'
solo hits. Henley's "The Boys of Summer" evoked a
wistful melancholy, and drummer Scott Crago, who
alternated with Henley on the skins all night,
demonstrated a deft touch with the song's signature
snare taps.
Later came Walsh's "Walk Away," during which Schmit
hunched over his bass as Walsh, 55, bobbed on his toes
during another whizzing solo. Frey wasn't left out of
the mix, either, easing into his moody "Miami Vice"
steamer, "You Belong to the City" at about the same
time it suddenly felt about 10 degrees warmer in the
Coliseum.
Throughout the show - which wrapped at 11:40 p.m. with
"Desperado" - the marquee names tried their hardest to
sound as polished as on record. Most of the time,
their harmonies sounded flawless, especially on the
new song, "Hole in the World," played live for the
first time last night. The pretty ballad is an instant
arena sing-along, but what a head-scratcher that it
took both Frey and Henley to write a song that repeats
"There's a hole in the world tonight" ad nauseum. And
is then repeated again. And again.
At times, Henley and Frey strained to hit a high note
or veered out of key, but Schmit's angelic timbre
soared on "I Can't Tell You Why," nailing every
nuance. Schmit also made a point to wave to longtime
pal and occasional musical collaborator, Richmond
singer-songwriter Robbin Thompson, seated in the
audience.
When Walsh unleashed one of rock's most famous riffs
in all of its thick, grimy glory - the one belonging
to the still-hysterical "Life's Been Good" - fans
whooped, expecting - and receiving - a primed Walsh
mugging and shrugging his way through. But it also
meant that Walsh was going to sing again.
Yes, he's always been more distinctive than in any way
good as a singer. But his voice is officially shot,
and it's frightening to think that this was only the
first night of a two-month-plus tour. At least if
Walsh's still-zippy guitar skills falter, he can use
the fabulous Steuart Smith (of Arlington) as a crutch.
All night, Smith was unfailingly sharp, especially on
"One of These Nights" and Henley's brilliant "Dirty
Laundry."
Plans call for the first Eagles studio album since
1979's "The Long Run" to be ready by next year, which
would seem the more obvious time to take a road trip.
But the originators of the exorbitant ticket price are
no fools when it comes to marketing and judging fan
appeal. Folks who missed the 1994 "Hell Freezes Over"
tour and haven't seen the band since its '70s peak are
obviously willing to shuck out $85 or $125 for a
glimpse of the classic rockers, so who is to argue?
Henley stated poignantly in "The Boys of Summer,"
"Don't look back, you can never look back."
Apparently, sometimes, you can.
|
|
Brian A.
Post Show Notes |
|
Don sang Long Run, WT, & Desperado
at the microphone; he played guitar on most of his
solo, drums on many of the Eagles tunes. Smiled a lot,
seemed to have a good time.
The new song is FANTASTIC. It has kind of a
gospel/soul feel to it. The song starts with all 4 of
them singing a capella, then the instruments kick in
and Don has some solo vocals. The chorus was great
(you know the lyrics from the magazine article). Don
said before he sang it that it was their first time
ever doing it in concert and to "wish them luck."
Well, they nailed it, I would say! He also said that
"it should be on the radio Monday" and that "it will
probably be on the Internet tomorrow." That's Don for
ya!
Glenn sounded great on James Dean. That was a real
highlight. Joe and Timothy were great as well.
Steuart Smith nailed the guitar parts, especially "I
Can't Tell You Why" and "Hotel California."
The show started at 8:15 and ended at about 11:35pm,
so they may cut a couple of songs from the setlist for
length. I was a little disappointed that the setlist
was so similar to the previous shows. I was hoping for
more changes, not just a rearranging of the order.
We arrived at about 6:45pm. Before the show, while
standing in line outside the Coliseum, I could hear
"In The City" and "7 Bridges Road" coming from inside,
as if they were rehearsing, but they never performed
"7 Bridges" during the show. I was disappointed about
that too.
|
|
Dennis' Review |
My favorite part was...the highlight of the even for
me, was the unbelievable, BOYS OF SUMMER>..has always
been a favorite of mine...LIFES BEEN GOOD was pretty
unbelievable too
My least favorite part was.... it was ALL GOOD
The band members were..... they were tight....you
could tell that prepared alot for this night..
The show made me feel.....
i was overwelmed,,,first EAGLES show,,,after many
years, and honestly did not expect it to be even close
to this...ive caught a bunch of SPRINGSTEEN shows, and
i thought this wouldnt even get close,, but it did...
One thing I'll never forget is..... catching the show
on the first night of the show was something
special...i think the RICHMONDers got the best show
that the whole tour will see...also seeing the show
with my dad was special
Other comments
.......i gotta see them again
|
|
 |